SINGKUH: WHERE HUMAN IMAGINATION MEETS TECHNOLOGICAL SOUND EXPERIMENTATION

Authors

  • Ni Made Ayu Dwara Putri Institut Seni Indonesia Denpasar
  • Damay Nouvanala Radja Rafa Institut Seni Indonesia Denpasar

DOI:

https://doi.org/10.31091/bbwp.v4i1.595

Keywords:

experimental music, sound exploration, modular synthesizer, VCV rack, acoustic instruments

Abstract

“Singkuh” is an experimental music composition based on the Balinese concept of "singkuh," meaning "strange." The work challenges traditional musical conventions by introducing unconventional sounds, techniques, and forms, contributing to the field of experimental music. To explore innovative approaches to music-making, breaking traditional norms, and expanding the possibilities of sound exploration through unconventional techniques and instruments. The composition utilizes VCV Rack software to operate modular synthesizers, providing effects for acoustic instruments. The creation process follows the Art Consortium's five stages: preparation, elaboration, synthesis, concept realization, and evaluation. The result is a 30-minute experimental composition for acoustic and electronic instruments. It includes diverse instruments such as piano, synthesizers, ocarina, kalimba, harmonica, bird whistles, and more. The work is divided into five sections emphasizing different experimental aspects. “Singkuh” introduces innovative techniques, instruments, and notations to experimental music. It expands musical boundaries and encourages both musicians and listeners to explore diverse sound possibilities.

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Published

2024-12-29

How to Cite

Putri, N. M. A. D. ., & Rafa, D. N. R. . (2024). SINGKUH: WHERE HUMAN IMAGINATION MEETS TECHNOLOGICAL SOUND EXPERIMENTATION. Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference , 4(1), 314–324. https://doi.org/10.31091/bbwp.v4i1.595