The Artistic Meaning of Isolo Tradition of Sentani Tribe, Papua in Indonesia's Sustainable Maritime Culture

Authors

  • Ida Bagus Gede Surya Peradantha Dance Study Programme, Department of Performing Arts, Institut Seni Budaya Indonesia Tanah Papua, Indonesia
  • Sri Rochana Widyastutieningrum Professors at Doctoral Art Study Program, Postgraduate Program, Institut Seni Indonesia Surakarta, Indonesia
  • Santosa Soewarlan Professors at Doctoral Art Study Program, Postgraduate Program, Institut Seni Indonesia Surakarta, Indonesia
  • Ida Bagus Gde Yudha Triguna Professor at Postgraduate Program, University of Hindu Indonesia, Denpasar, Bali, Indonesia

Keywords:

artistic meaning, isolo tradition, sentani tribe, rokhabia, maritime culture, archipelago

Abstract

The purpose of this study is to uncover the aesthetic meaning in the Sentani Tribe's Isolo tradition in Lake Sentani, Papua. The study focused on how the artistic aspects of Isolo represent essential creative meanings and what the important implications of artistic meanings in the Isolo tradition are for the development of the archipelago's sustainable maritime culture. This study employs a qualitative technique based on Roland Barthes' semiotic theory. Data was gathered through observation of Isolo performances during the 2023 Lake Sentani Festival, interviews, and literature searches. The following are the study's findings: First, creative components such as dance moves, singing, clothes, property, and body painting motifs demonstrate symbolic connotations of natural prosperity, patriotism, spirituality, and fraternity. Second, the key meanings in Isolo derive from the concept of Rokhabia, a sense of brotherhood of one womb that is deeply established in Sentani tradition. Third, the implications of the Isolo tradition might build Sentani tribe social relationships through the meaning of the elements in its artistic representation. This study contributes significantly to expanding the horizon of the Sentani Tribe's Isolo heritage in preserving Indonesia’s sustainable maritime culture.

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Published

2023-12-30

How to Cite

Peradantha, I. B. G. S. ., Widyastutieningrum, S. R. ., Soewarlan, S. ., & Triguna, I. B. G. Y. . (2023). The Artistic Meaning of Isolo Tradition of Sentani Tribe, Papua in Indonesia’s Sustainable Maritime Culture. Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference , 3(1), 23–31. Retrieved from https://eproceeding.isibali.ac.id/index.php/bbw/article/view/449