The Transformation of the Aesthetic Gender Wayang of Kayumas Kaja Style From the perspective of art philosophy: Uncovering the Meaning of Contemporary Truth and Adaptation

Abstract

This study analyzes the aesthetic transformation of the Gender Wayang Kayumas Kaja Style and its implications for the development of the Gender Wayang repertoire in Bali through the philosophical framework of Seni Widya Filsafat “The art and science of philosophy” formulated by Prof. Dr. I Nyoman Sedana. The Kayumas Kaja style, known for its subtle, rhythmic, and dynamic musical character, has undergone a significant evolution from a sacred ritual practice to an entity that is adaptive to contemporary aesthetics and the stage, supported by the role of the maestro and diffusion through digital media. Using a descriptive-interpretive qualitative approach, this study outlines the musical characteristics, historical transformation process, and cultural impact of Kayumas Kaja, which are then interpreted through the Five “Gardens of Heavenly Beauty” Taman Keindahan Sorgawi” (TKS): Genta/Padma Hrdaya, Pranayuga, Praba Semara, Budi Satyam, and Prabawa Bhuana. The results of the study indicate that the aesthetics of Kayumas reflect the harmonious vibrations of conscience (Padma Hrdaya), creative responses to the dynamics of the times (Pranayuga), the manifestation of noble human values (Praba Semara), authenticity and dedication (Budi Satyam), and efforts to maintain a cultural-natural balance (Prabawa Bhuana). The application of the Sasmita method further identifies deep philosophical meanings. This research contributes significantly to the ethnomusicological discourse by enriching the holistic understanding of Balinese traditional art as "kali-maha-usada" through the integration of the theory of Widya Filosofy Art.